Fender®, arguably one of the most recognizable brands in music, enjoys an enviable reputation for their electric guitars and amplifiers. But, what about their acoustic guitars?
In the following article we’re going to take a closer look at Fender’s® acoustic guitar range, and how actual customers feel about them. We’ll also take a quick trip down memory lane and learn about the fascinating history of their first acoustic range.
Are Fender® acoustic guitars good? While not comparable in terms of workmanship and quality control as acoustic guitar brands such as Martin and Taylor, Fender® targets the beginner market and produce a range of good, affordable acoustic guitars. For beginners, a number of Fender® acoustic models are worth a look, particularly the Fender Alternative, and Classic Design Series, and compare favorably to acoustic guitars of a similar price range from Yamaha, Cort, and Washburn.
Table of Contents
What makes a good acoustic guitar anyway?
How do you know if an acoustic guitar is good?
Good means many different thing to different people, but in the case of Fender® acoustic guitars, with the exception of the Acoustisonic series, good really means, good value as price has to be taken into consideration when discussing sub $500 guitars, which the majority of Fender’s® acoustic lineup consists of.
But, even discounting price for a moment, in terms of what makes a good guitar, a couple of things apply universally:
Manufacturing consistency
It’s difficult to say whether a model of guitar is good if the quality varies wildly, even between models within the same series.
In general, despite the advent of CNC technology resulting in more precise (and in most cases higher quality) entry to mid-range acoustic guitars, this continues to be a common theme.
Many guitars are now manufactured offshore e.g. away from the companies main headquarters due to wages and the cost of living being lower, resulting in lower production costs. These countries include China, Indonesia, Korea, and Mexico.
That’s not to say workers in these factories are any less capable. But, generally when guitars are made in countries with lower manufacturing costs problems can develop as the company balances quality against total production costs, which can lead to inconsistent quality control.
Does it stay in tune?
Good guitars stay in tune. A guitar that won’t stay in tune could indicate a poorly cut nut, poor intonation, or too much play in the tuning machines.
Is the intonation correct?
Poor intonation essentially means the guitar is not in tune with itself (you can check by comparing the open string to the 12th fret octave). Poor intonation could indicate problems with fret positioning, the position of the bridge of the guitar, problems with the nut, an action that is far too high or a neck that requires truss rod adjustment.
Does it play well?
Issues such as a high action, loose frets, jagged fret ends or fret buzz all have an impact on playability, which indirectly affects how the guitar sounds and directly affects how enthusiastic a beginner might be to practicing and improving.
Does it sound good?
The real indication of a good guitar is how it sounds. Those new to guitar tend to put too much emphasis on how a guitar looks compared to how it sounds. But, just because you are new to the guitar doesn’t mean you should use your eyes over your ears to judge the quality of a guitar. Consider the following with regard to how the guitar sounds.
- Buzzing: If you hear buzzes or mechanical vibrations the guitar either has a problem with the action e.g. the strings are buzzing the fret wires or the guitar has an item of loose hardware that is vibrating. This might only apply for specific frequencies e.g. you hit an open G string and the battery lid of your onboard preamp resonates with the frequency of the note played.
- Tone: The tonality of the guitar will be affected by the the size and shape of the guitar to an extent, but mostly from the tone woods the guitar is made from, specifically with regard to overtones produced. A Spruce top will sound different to a Mahogany top, and a Cedar top will sound different again.
Tone is subjective but in most cases if you are looking for a strummer e.g. a guitar to strum chords on spruce may be preferred. However, if you mostly play fingerstyle and prefer response, good note separation and articulation over clarity and volume Mahogany may be a better option. - Tonal balance: Body size, shape and tonewoods can affect the balance of a guitar. For example, does the guitar sound bass dominant? Or does the guitar place greater emphasis on the higher end frequencies? If, you are mostly interested in fingerstyle guitar a balanced guitar with perhaps more emphasis on the upper range may be preferable.
- Volume: How loud is the guitar? If you favor volume, a larger body guitar will be louder than a small body.
- Sustain: Good guitars tend to have good sustain, which is a measure of how long a note rings out after being played. In some cases, sustain is less desirable e.g. jazz guitarists put greater emphasis on clarity and note separation, and often prefer notes that decay faster.
The points above, all strongly relate to price.
For example, in the eyes of a beginner with a sub $500 budget, the materials used in the construction, along with standard of workmanship, playability and tone will be judged based on price. E.g. it’s a good sounding guitar that plays well, for under $500.
Whereas a good guitar in the eyes (and ears) of a more seasoned guitarist will largely come down to the quality of the workmanship, materials, and quality control.
In this regard we’re mostly talking about the materials aka tonewoods used for the body, and neck, the quality of the construction of the guitar, and the quality of the fretwork, which is often the difference between mid-range and high end guitars, acoustic or electric.
Other considerations might include the back and sides (not just the top) being constructed from solid wood (not laminate), the quality of the hardware e.g. tuners and nut and saddle, the materials used for the nut and saddle e.g. bone as opposed to plastic and included accessories e.g. a hard case.
While Fender® do cater to both the beginner and the more experienced guitarist, it’s fair to say the majority of their sales occur within the sub $500 beginner market, placing them in direct competition with brands such as Cort, Washburn and Yamaha.
In the $500+ market, Fender® tends to lose out to companies that either focus (almost) entirely on acoustic guitars (Taylor, Martin) or have been making acoustic guitars a lot longer e.g. Gibson.
So, with all of this in mind how do we give a verdict on the quality of Fender’s® acoustic guitar range?
Most experienced guitarists won’t consider Fender® acoustic guitars as good guitars. But, that misses the point as Fender® haven’t intentionally targeted this type of player.
Therefore, to give a verdict on Fender® acoustic guitars we really need to take the opinions of actual buyers who own Fender® acoustic guitars, not those who would never consider owning one.
With this in mind, for each guitar (and series of acoustics) Fender® currently has in their line up (as of October 2020, we’ve taken an average customer rating (where available) from five of the largest music retailers in the United States (amazon.com, sweetwater.com, guitarcenter.com, musiciansfriend.com, and reverb.com) and then calculated an average rating out of 5 stars.
Keep in mind, some guitars aren’t available at some retailers or may be available but have not yet received a review from customers.But before we dive into the guitars themselves, let’s get a better perspective on what Fender® are trying to do with their acoustic range by taking a closer look at the history of Fender® acoustic guitars.
The history of Fender® Acoustic Guitars
Fender® began manufacturing acoustic guitars in 1963, partly in response to the ever-growing folk scene of the 60s. Keep in mind, this was almost 13 years after they began manufacturing electric guitars .
This in itself, is quite unlike other iconic guitar companies such as Gibson who first started manufacturing acoustic guitars in the 30s before later expanding to include electric guitars from the early 50s, or Martin who were producing acoustic guitars as far back as 1833.
In this sense, Fender® never really had the heritage these brands have when it comes to acoustic guitars.
A new Take on the Acoustic Guitar
Fender® never really pitched themselves this way anyway, instead entering the market offering an innovative, and at times, bold new take on the acoustic guitar. It was more about the enjoyment of music rather than taking itself too seriously.
Fender®, say as much themselves on fender.com:
“A Fender acoustic guitar was for throwing in the car and hitting the beach. It was for coffeehouses and campfires”.
fender.com
That’s not to say they weren’t played by some big names at different times, including the man in black, Johnny Cash and the king, Elvis Presley, although it must be said, is far better known for his Gibsons, including the J200 and Ebony Dove. While most people would clearly associate Johnny Cash with Martin guitars.
In any case, the earliest Fender® acoustic models reflected this ‘less serious’ attitude from Fender®, and included features more akin to electric guitars including Stratocaster® style 6 in line headstocks, and bolt-on necks. Even the pickguards were screwed on.
Under the hood, the first Fender® acoustics featured a unique aircraft aluminum rod, ‘broomstick’ bracing system.
The Original Lineup
The original lineup in 1963 consisted of The King, the flagship guitar of the fleet, later reintroduced as the Fender Kingman® in 1966.
The Concert (1963–1970), The Classic (1963 – 1966), and the Folk which was rather short-lived, being manufactured only between 1963 and 1964.
Looking Forward
In many ways not much has really changed when it comes to Fender’s® attitude toward the acoustic guitar.
Many Fender® acoustic guitars still look far from traditional, featuring Strat® style headstocks and bold colors but this is now mixed with a number of entry level instruments targeting the beginner market.
In this sense, it seems Fender® is still more interested in offering an accessible, and unique alternative to the acoustic guitar rather than competing at the higher price points of Taylor and Martin, perhaps with the exception of the recently released Acoustisonic (perhaps the most radical departure from traditional acoustic design yet seen) which we’ll take a closer look at below.
Fender® Acoustic Guitars – Current Range
- Please note, any prices listed below are accurate as of the time of writing. Prices do change over time, so if unsure please check.
Unlike the earliest days of Fender® acoustic guitars, the company now offers a broad range of acoustic instruments. These include:
- The California series
- The Paramount series
- The Classic Design series
- The Fender® Alternative series
- The Artist Design series
- The American Acoustasonic series
We’ll introduce each of the series below, and an average rating, starting with perhaps the most eye-catching, the California series.
The California Series
The California series is an obvious hat tip to Fender’s® initial foray into the world of acoustics guitars.
In fact, two of the California series models of guitar, the Malibu and Newporter were first introduced as far back as April 1965, and the Redondo was first introduced in 1968.
All of these models were discontinued in 1971 as the Fender® name started losing appeal after being taken over by CBS musical instruments in 1965. This remained the case until the late 80s when Fender® reintroduced a number of their earlier acoustics including the California series.
Today, the California series leans heavily on Fender’s® electric guitar design ethos featuring a range of bold body colors and slim-taper C shape Mahogany necks complete with Stratocaster® style headstock.
The California series includes 16 different guitars. Including left-handed, 12 string, and acoustic bass options:
- The Newporter
Orchestra style body shape, featuring a cutaway - The Malibu
Smaller folk size body. Available in both a cutaway and non-cutaway design (Malibu special Mahogany and Malibu player) - The Redondo
Dreadnought body shape, available in both cutaway (the Mahogany classic) and non-cutaway designs. - Villager 12™ string
12 string guitar - Kingman™ Bass
Short-scale acoustic bass guitar
The three primary models (Newporter, Malibu, and Redondo) are available at three different price points based mostly on whether the back and sides are constructed from solid wood or laminate along with the quality of the electronics.
For example, the less expensive Player models feature the Fender® exclusive CD-1 Fishman pickup/preamp systems.
The Special and Classic models feature a preamp system designed by Fender® in conjunction with Fishman, including additional features such as phase control to regulate feedback.
While prices may vary, at the time of writing the Player models are listed at $429. The special models from $729, and the Classic model at $799.
The California Player
The California player guitars feature solid Spruce tops, laminated Mahogany back and sides finished in a gloss poly and aged white binding.
Guitars in this range include:
- Newporter player (including L/H model)
- Malibu player
- Redondo player (including L/H model)
Specs: California Player
| Body | |
|---|---|
| Top (Soundboard) | Solid Sitka Spruce |
| Back and Sides | Mahogany Laminate |
| Finish | Gloss Poly |
| Binding | Aged White |
| Rosette | Black/White/Black |
| Bridge Pins | Aged with black dots |
| Bracing | Scalloped X |
| Neck | |
| Neck | Mahogany |
| Headstock | 6 in-line (Strat® style) |
| Neck Shape | Slim taper ‘C‘ |
| Neck Finish | Satin Urethane |
| Fretboard | Walnut |
| Frets | 20 |
| Scale Length | 25.6″ (650mm) * Malibu Player 24.1″ (612mm) |
| Fretboard Radius | 15.75″ radius |
| Nut Width | 1.69″ (43mm) |
| Nut Material | Graph Tech® NuBone™ |
| Inlays | White (Plastic) dot |
| Tuners | Sealed Nickel |
| Electronics | |
| CD-1 Fishman pickup/preamp system (Volume, Bass, Treble) | |
Features
The neck is a slim-taper C shape, constructed from Mahogany and featuring a 15.75“ (400 mm) radius and 1.69“ (43mm) nut width.
The fretboard is constructed from Walnut and includes a Graph Tech® NuBone™ nut and saddle. For electronics the guitar utilizes the Fishman CD-1 pickup system.
Color options include Candy Apple Red, Champagne, Ice Blue Satin, Natural, Olive Satin and Sunburst, depending on the model of guitar. E.g. some models such as the Redondo player feature additional options including Belmont Blue and black.
The California Special
The California special models are available either in a painted solid Sitka spruce top, or solid Mahogany top.
Both options feature painted solid Mahogany back and sides and satin finish with maple binding and rosette.
Guitars in this range include:
- Redondo Special Mahogany
- Newporter Special Mahogany
- Redondo Special
- Newporter Special
- Malibu Special
Specs: California Special
| Body | |
|---|---|
| Top (Soundboard) | Painted Solid Sitka Spruce |
| Back and Sides | Solid Mahogany |
| Finish | Satin |
| Binding | Maple |
| Pickguard | 3 ply |
| Rosette | Black/White/Black |
| Bridge Pins | Ebony with Mother of Pearl dots |
| Bracing | Quartersawn Scalloped “X” |
| Neck | |
| Neck | Mahogany |
| Headstock | 6 in-line (Strat® style) |
| Neck Shape | Slim taper ‘C’ |
| Neck Finish | Satin Urethane |
| Fretboard | Pau Ferro |
| Frets | 20 |
| Scale Length | 25.6″ (650mm) * Malibu Player 24.1″ (612mm) |
| Fretboard Radius | 15.75″ |
| Nut Width | 1.69″ (43mm) |
| Nut Material | Bone |
| Inlays | Maple dots |
| Tuners | Sealed Nickel |
| Electronics | |
| Fender® and Fishman designed preamp including Volume, Bass, Treble, with Tuner and Phase Controls | |
The neck, like the player, is a slim taper C shape, constructed from Mahogany and featuring a 15.75“ (400 mm) radius and 1.69“ (43mm) nut width.
The fretboard is constructed from Pau Ferro and features a bone nut. California Special guitars also come with a deluxe gig bag.
The California Classic
The California classic guitars are more or less the same as the special models, with a couple of small differences, including a painted Sitka Spruce top and natural finish back and sides along with a tilt-back headstock design.
This serves to increase the break angle over the nut, increasing the downward pressure on the nut which contributes to a brighter sounding guitar with additional sustain.
The California classic series also includes a deluxe gig bag.
Guitars in this range include:
- Malibu Classic
- Newporter Classic
- Redondo Classic
Specs: California Classic
| Body | |
|---|---|
| Top (Soundboard) | Painted Solid Sitka Spruce |
| Back and Sides | Solid Mahogany |
| Finish | Gloss Poly |
| Binding | Koa |
| Rosette | Koa |
| Bridge Pins | Ebony with Mother of Pearl dots |
| Bracing | Quartersawn Scalloped “X” |
| Neck | |
| Neck | Mahogany |
| Headstock | 6 in-line tilt back (Strat® style) |
| Neck Shape | Slim taper ‘C’ |
| Neck Finish | Satin Urethane |
| Fretboard | Pau Ferro |
| Frets | 20 |
| Scale Length | 25.6″ (650mm) * Malibu Player 24.1″ (612mm) |
| Fretboard Radius | 15.75″ radius |
| Nut Width | 1.69″ (43mm) |
| Nut Material | Bone |
| Inlays | Maple dots |
| Tuners | Sealed Nickel |
| Electronics | |
| Fender® and Fishman designed preamp including Volume, Bass, Treble, with Tuner and Phase Controls | |
Villager 12 string
Originally introduced in 1965, the Villager 12 string features Fender’s® hockey stock headstock and includes a cutaway and onboard electronics.
Specs
| Body | |
|---|---|
| Top (Soundboard) | (Black) Painted Solid Sitka Spruce |
| Back and Sides | Laminated Mahogany |
| Finish | Gloss Poly |
| Binding | White |
| Rosette | 2 ring (black/white) |
| Pickguard | 3 ply (gold) |
| Bridge Pins | Plastic (white) |
| Bracing | Forward Shifted Scalloped X (The center of the X is moved closer to the soundhole, increasing flexible strength of the lower bout of the guitar) |
| Neck | |
| Neck | Mahogany |
| Headstock | Painted ‘hockey stick’ style. |
| Neck Shape | Slim taper ‘C’ |
| Neck Finish | Satin Urethane |
| Fretboard | Walnut |
| Frets | 20 |
| Scale Length | 24.72″ (628mm) |
| Fretboard Radius | 12″ (305mm) |
| Nut Width | 1.77″ (45 mm) |
| Nut Material | Graph Tech® NuBone™ |
| Inlays | Plastic (white) |
| Tuners | Sealed Nickel |
| Electronics | |
| CD-1 Fishman pickup/preamp system (Volume, Bass, Treble) | |
Kingman™ Bass
Short-scale bass guitar with cutaway.
Specs
| Body | |
|---|---|
| Top (Soundboard) | Solid Spruce |
| Back and Sides | Mahogany (laminate) |
| Finish | Gloss poly |
| Binding | Aged white |
| Rosette | 2 ring (black/white) |
| Pickguard | 3 ply (gold) |
| Bridge Pins | 3 ply (gold) Plastic (cream with black dots) |
| Bracing | Forward Shifted Scalloped X |
| Neck | |
| Neck | Mahogany |
| Headstock | 4 inline (traditional Fender® bass headstock) |
| Neck Shape | Jazz Bass |
| Neck Finish | Satin Urethane |
| Fretboard | Walnut |
| Frets | 20 |
| Scale Length | 30.3″ (770 mm) |
| Nut Width | 1.5″ (38.1 mm) |
| Nut Material | Graph Tech® NuBone™ |
| Inlays | Perloid (White) |
| Tuners | Open geared |
| Electronics | |
| Fishman Preamp and tuner (bass, middle, treble and phase control) | |
Are they any good?
Average rating: 4.63 stars
For the most part the California series has been well-received by its intended market. Purists are less likely to give it a second look, but based on the design and price range, this series of guitar will mostly appeal to electric guitarists looking for an alternative to the more traditional acoustic guitar design.
Below are the average individual ratings the guitars in the California series received from customers.
Newporter Player:
Avg rating: 4.52 |
Newporter Special:
Avg rating: 4.5 |
Newporter Classic:
Avg rating: 4.16 |
Newporter Special Mahogany
Avg rating: 4.37 |
||
Malibu Player:
Avg rating: 4.88 |
Malibu Special:
Avg rating: 4.5 |
Malibu Classic:
Avg rating: 4.75 |
Malibu Special Mahogany
Avg rating: 4.5 |
||
Redondo Player:
Avg rating: 4.76 |
Redondo Special:
Avg rating: 4.83 |
Redondo Classic:
Avg rating: 4.75 |
Redondo Special Mahogany
Avg rating: 4.86 |
||
Kingman™ Bass
Avg rating: 4.86 |
||
Villager™ 12-String
Avg rating: 4.6 |
The Paramount Series
If the California series is the wild child of the Fender® acoustic guitar range, the Paramount series is the more refined older sibling, featuring a more traditional 3 a side headstock design and natural finishes.
The Paramount series include 3 models of guitar, the imaginatively named PM-1, PM-2, and PM-3.
PM 1
The PM 1 is a standard dreadnought shape (does not feature a cutaway) of the series and is available in both a standard all Mahogany option, or a natural Spruce top.
If you’re wanting to plugin however, you’re sadly out of luck as the PM-1 does not include electronics, so you’ll need to step up to the PM-2 or PM-3.
Guitars in this range include:
- PM-1 Standard Dreadnought, Natural
- PM-1 Standard Dreadnought All-Mahogany NE
Specs: PM1
| Body | |
|---|---|
| Top (Soundboard) | Open Pore Solid Mahogany or solid Sitka Spruce |
| Back and Sides | Solid Mahogany |
| Finish | Satin |
| Binding | White, Black, Checker, Black |
| Rosette | Checkerboard |
| Pickguard | 1-Ply (Tortoiseshell) |
| Bridge Pins | Ebony with MOP Dots |
| Bracing | Quartersawn Scalloped “X” |
| Neck | |
| Neck | Mahogany |
| Headstock | 3 a side traditional |
| Neck Binding | 3 ply (White, Black, White) |
| Neck Shape | C |
| Neck Finish | Satin Urethane |
| Fretboard | Ovangkol |
| Frets | 20 |
| Scale Length | 25.3″ (600mm) |
| Fretbaord Radius | 15.75″ |
| Nut Width | 1.69″ (43mm) |
| Nut Material | Graph Tech® NuBone™ |
| Inlays | MOP dots |
| Tuners | Open back Nickel |
| Electronics | |
| NA | |
PM 2
The PM2 is a smaller parlour body shape and like the PM1 is available in both a standard all Mahogany option, or a natural Spruce top.
This model, like most small body acoustics does not feature a cutaway.
Guitars in this range include:
- PM-2 Parlor NE, All-Mahogany, Natural
- PM-2 Standard Parlor, Natural
Specs: PM2
| Body | |
|---|---|
| Top (Soundboard) | Open Pore Solid Mahogany or solid Sitka Spruce |
| Back and Sides | Solid Mahogany |
| Finish | Satin (open pore) |
| Binding | White, Black, Checker, Black |
| Rosette | Checkerboard |
| Pickguard | 1-Ply (Tortoiseshell) |
| Bridge Pins | Ebony with MOP Dots |
| Bracing | Quartersawn Scalloped “X” |
| Neck | |
| Neck | Mahogany |
| Headstock | 3 a side traditional |
| Neck Shape | C |
| Neck Finish | Satin Urethane |
| Fretboard | Ovangkol |
| Neck Binding | 3 ply (White, Black, White) |
| Frets | 19 |
| Scale Length | 24.75″ (629 mm) |
| Fretboard Radius | 15.75″ |
| Nut Width | 1.75″ (44.45 mm) |
| Nut Material | Bone |
| Inlays | MOP dots |
| Tuners | Nickel |
| Electronics | |
| Fender® and Fishman designed preamp including Volume, Bass, Treble, with Tuner and Phase Controls | |
PM 3
The PM3 is an orchestra body shape and like the PM1 is available in both a standard all Mahogany option, or a natural Spruce top.
Guitars in this range include:
- PM-3 Standard Triple-0, Natural
- PM-3 Triple-0 All-Mahogany, Natural
Specs: PM3
| Body | |
|---|---|
| Top (Soundboard) | Open Pore Solid Mahogany or solid Sitka Spruce |
| Back and Sides | Solid Mahogany |
| Finish | Satin (open pore) |
| Binding | White, Black, Checker, Black |
| Rosette | Checkerboard |
| Pickguard | 1-Ply (Tortoiseshell) |
| Bridge Pins | Ebony with MOP Dots |
| Bracing | Quartersawn Scalloped “X” |
| Neck | |
| Neck | Mahogany |
| Headstock | 3 a side traditional |
| Neck Shape | C |
| Neck Finish | Gloss Urethane |
| Fretboard | Ovangkol |
| Neck Binding | 3 ply (White, Black, White) |
| Frets | 20 |
| Scale Length | 25.3″ (643 mm) |
| Fretboard Radius | 15.75″ |
| Nut Width | 1.69″ (43 mm) |
| Nut Material | Bone |
| Inlays | MOP dots |
| Tuners | Nickel |
| Electronics | |
| Fender® and Fishman designed preamp including Volume, Bass, Treble, with Tuner and Phase Controls | |
All the guitars in the Paramount series come in either all Mahogany construction (open pore Mahogany soundboard) or standard construction featuring a Solid Sitka Spruce top, Mahogany neck with Ovangkol fingerboard.
All models feature Quartersawn Scalloped “X“ bracing and black and white checker binding and rosette.
The standard construction guitars start at $829 and feature solid Sitka spruce tops, while the all Mahogany models start at $629.
Are they any good?
Average rating: 4.60 stars
In general the Paramount series has been favorably reviewed, with guitarworld.com even naming them the best acoustic guitars Fender have ever produced.
Below are the average individual ratings the guitars in the Paramount series received from customers.
PM-2 Parlor NE, All-Mahogany, Natural
Avg rating: 4.26 |
PM-3 Standard Triple-0, NaturalAmazon: 3.9
Avg rating: 4.72 |
PM-1 Standard Dreadnought All-Mahogany NE
Avg rating: 4.67 |
PM-3 Triple-0 All-Mahogany, Natural
Avg rating: 4.73 |
PM-1 Standard Dreadnought, Natural
Avg rating: 4.77 |
PM-2 Standard Parlor, Natural
Avg rating: 4.5 |
The Classic Design Series
Fender has carved out quite the niche for themselves in the learner guitar market, especially when you take into account the ever popular Squier range of electric guitars, Fender play (an online guitar lesson platform aimed at beginners) and the classic design series of affordable acoustic guitars.
The classic design series builds upon this connection to the beginner market while incorporating a more traditional look and feel, more in line with the Paramount series than the California series.
The classic design series consists of 5 models, the classic design 140SCE, the 60SCE, and the 60S. All three models are available in three separate body styles, the appropriately named CD (dreadnought body shape) , CC (concert shape) and CP (parlour shape), while a nylon version is also available in the 140SCE and 60S range, and an acoustic bass included in the 60SCE range.
60S
Firmly aimed at beginners the Classic Design S models feature solid top construction, and laminate back and sides along with quartersawn Scalloped “X“ bracing and rolled fretboards (the edge of the fretboard and fret wires are rounded off) for easier playing.
Guitars in this range include:
- CD-60S (also available in LH model)
- CD-60S, All-Mahogany
- CP-60S Parlor
- CC-60S Concert (also available in LH model)
- CN-60S
Specs: 60S
| Body | |
|---|---|
| Top (Soundboard) | Solid Spruce *Solid Mahogany for all Mahogany model |
| Back and Sides | Mahogany (laminate) |
| Finish | Gloss |
| Binding | Multiple (Black and white) |
| Rosette | Perloid (plastic resembling Mother of Pearl) |
| Pickguard | I ply black * no pickguard on CN-60S model |
| Bridge Pins | White plastic (black dots) * no bridge pins on CN-60S model (nylon string guitars do not require bridge pins) |
| Bracing | Scalloped “X” bracing * Quartersawn Scalloped “X” on CD-60S, CD-60S all Mahogany, and CC-60S |
| Neck | |
| Neck | Mahogany |
| Headstock | 3 a side traditional * slotted headstock on CN-60S |
| Neck Shape | Fender® ‘Easy-to-Play’ shape with rolled fretboard edges |
| Neck Finish | Gloss Urethane |
| Fretboard | Walnut |
| Neck Binding | I ply black |
| Frets | 20 *18 on CN-60S25.3″ (643 mm) |
| Scale Length | 25.3″ (643 mm) *CP model: 24.75″ (629 mm) |
| Fretboard Radius | 12″ (305 mm) |
| Nut Width | 1.69″ (43 mm) |
| Nut Material | Plastic |
| Inlays | Perloid * Side dot only on CN-60S |
| Tuners | Chrome Die-Cast * Amber Pearloid Buttons on CN-60S |
| Electronics | |
| NA | |
60SCE
The 60SCE series feature cutaways and onboard electronics, including a tuner. SCE refers to standard + cutaway + electronics, hence the model name.
Guitars in this range include:
- CD-60SCE Dreadnought (left handed model also available)
- CD-60SCE Dreadnought, All-Mahogany
- CC-60SCE Concert (left handed model also available)
- CB-60SCE Bass
- CD-60SCE Dreadnought 12-String
Specs: 60S
| Body | |
|---|---|
| Top (Soundboard) | Solid Spruce *Solid Mahogany on all-mahogany models |
| Back and Sides | Mahogany (Laminate) |
| Finish | Gloss |
| Binding | Multiple (Black and white) |
| Rosette | Perloid |
| Pickguard | 1 ply black |
| Bridge Pins | White (black dots) |
| Bracing | Quartersawn Scalloped “X” * Scalloped “X” on CB-60SCE Bass |
| Neck | |
| Neck | Mahogany |
| Headstock | 3 a side traditional |
| Neck Shape | Fender® ‘Easy-to-Play’ shape with rolled fretboard edges |
| Neck Finish | Gloss Urethane |
| Fretboard | Walnut * Indian Laurel on CB-60SCE (acoustic bass) |
| Neck Binding | I ply black |
| Frets | 20 * 22 on CB-60SCE (acoustic bass) |
| Scale Length | 25.3″ (643 mm) * 32″ (813 mm) on CB-60SCE (acoustic bass) |
| Fretboard Radius | 12″ (305 mm) |
| Nut Width | 1.69″ (43 mm) *1.77″ (45mm) on CD-60SCE DREADNOUGHT 12-STRING |
| Nut Material | Plastic |
| Inlays | Perloid |
| Tuners | Chrome Die-Cast |
| Electronics | |
| Fishman® CD Preamp (Volume, Bass, Treble) | |
140SCE
The 140-SCE differs from the 60-SCE in that it additionally includes a hardshell case and upgraded electronics in the form of the Fishman® CD Preamp, offering volume, vass, treble, tuner and low battery light indicator. A 1-Ply Tortoiseshell pick guard and Graph Tech® NuBone™ nut are also included.
Guitars in this range include:
- CD-140SCE 12-String
- CN-140SCE (classical guitar)
- CD-140SCE All-Mahogany
- CD-140SCE
Specs: 140SCE
| Body | |
|---|---|
| Top (Soundboard) | Solid Spruce *Solid Mahogany on all-mahogany models |
| Back and Sides | Laminated Ovangkol *Laminate Mahogany on all-mahogany models |
| Finish | Gloss |
| Binding | Multiple (Black and white) |
| Rosette | Perloid |
| Pickguard | 1-Ply Tortoiseshell *none on CN-140SCE (classic guitar) |
| Bridge Pins | White plastic (black dots) *none on CN-140SCE (classic guitar) |
| Bracing | Quartersawn Scalloped “X” *fan bracing on CN-140SCE (classic guitar) |
| Neck | |
| Neck | Mahogany |
| Headstock | 3 a side traditional *Slotted headstock on CN models (classic guitar) |
| Neck Shape | Fender® ‘Easy-to-Play’ shape with rolled fretboard edges |
| Neck Finish | Gloss Urethane |
| Fretboard | Walnut |
| Neck Binding | I ply black |
| Frets | 20 *18 on CN-140SCE (classic guitar) |
| Scale Length | 25.3″ (643 mm) |
| Fretboard Radius | 12″ (305 mm) |
| Nut Width | 1.69″ (43 mm) *1.77 on CD-140SCE 12-String |
| Nut Material | Graph Tech® NuBone™ |
| Inlays | Perloid *side dot only on CN-140SCE (classical guitar) |
| Tuners | Chrome Die-Cast *3-In-Line (Amber Pearloid Buttons) on CN-140SCE (classical guitar) |
| Electronics | |
| Fishman® CD Preamp (volume, vass, treble, tuner and low battery light indicator) | |
Prices range from $199 for the ‘S’ (standard) models. The 60 SCE models which include Fishman electronics come in at $329, and the 140SCE with hardshell case and upgraded electronics will set you back $439.00
The classic design series are firmly entrenched in the sub $500 category and for this price you won’t normally see solid wood construction back and sides.
Are they any good?
Average rating: 4.58 stars
Serious guitarists aren’t going to be lining up for a CD60 anytime, but this isn’t the intended market for these guitars which otherwise represent good value for money, if not a little inconsistent (according to reports from some customers) with regard to manufacturing quality and quality control.
Below are the average individual ratings the guitars in the Classic Design Series received from customers.
CD-60 Dreadnought V3
Avg rating: 4.53 |
CD-60S
Avg rating: 4.56 |
CD-60S Dreadnought, All-Mahogany
Avg rating: 4.42 |
CP-60S Parlor
Avg rating: 4.64 |
CC-60S Concert
Avg rating: 4.87 |
CN-60S
Avg rating: 5 |
CD-60S Dreadnought, All-Mahogany
Avg rating: 4.3 |
||
CD-60SCE Dreadnought
Avg rating: 4.42 |
CD-60SCE Dreadnought, All-Mahogany
Avg rating: 4.6 |
CC-60SCE Concert
Avg rating: 4.66 |
CB-60SCE Bass
Avg rating: 4.6 |
||
| CD-140SCE
Amazon: 4.3 Avg rating: 4.6 |
CD-140SCE All-Mahogany
Amazon: 4.3 Avg rating: 4.56 |
CD-140SCE 12-String
Amazon: 4.5 Avg rating: 4.66 |
CN-140SCE
Avg rating: 4.3 |
The Fender® Alternative series
Fender® pitch the alternative series as the perfect beginner’s instrument, in fact just for good measure, the alternative series even includes a ¾ size guitar for children.
Visually they’re somewhat of a compromise between Fender’s® earlier, less traditional acoustic guitars, combined with a sense of the more traditional in terms of body shape.
The alternative series features four series of guitars. The 15, 100, 200, and 300 series.
All guitars feature laminate back and sides, which Fender® market as being more durable and more feedback resistant.
FA15 Models
The 15 models include two 3/4 size guitars, including the nylon string 15n (hence the ‘n’ in the name. Ideal for children or for use as an inexpensive travel guitar.
Guitars in this range include the:
- FA-15N 3/4 Nylon
- FA-15 3/4 steel
Specs: FA15
| Body | |
|---|---|
| Top (Soundboard) | Agathis (laminate) |
| Back and Sides | Sapele (laminate) |
| Finish | Gloss poly |
| Binding | 1 ply black |
| Rosette | Concentric rings * wood mosiac on the 15N |
| Pickguard | NA |
| Bridge Pins | Black plastic (white dots)
*NA on 15N model (nylon string guitars don’t require bridge pins) |
| Bracing | X bracing |
| Neck | |
| Neck | Nato |
| Headstock | 3 a side traditional *Slotted headstock on 15N model |
| Neck Shape | C |
| Neck Finish | Gloss Urethane |
| Fretboard | Walnut |
| Neck Binding | 1 ply black |
| Frets | 18 |
| Scale Length | 23.3″ (592 mm) |
| Fretboard Radius | 11.81″ (300 mm) |
| Nut Width | 1.69″ (43 mm) |
| Nut Material | Synthetic Bone |
| Inlays | White plastic dot |
| Tuners | Die-cast (sealed back)
*Open-Gear with Pearloid Buttons on 15n model |
| Electronics | |
| NA | |
The 100
The more affordable and aptly named 100 models feature laminate soundboards and traditional dot inlays.
Guitars in this range include the:
- FA-125 Dreadnought
- Walnut, FA-125CE Dreadnought, Walnut Fingerboard
Specs: 100
| Body | |
|---|---|
| Top (Soundboard) | Spruce (laminate) |
| Back and Sides | Basswood (laminate) |
| Finish | Gloss |
| Binding | 1 ply black |
| Rosette | Concentric rings |
| Pickguard | 1 ply black |
| Bridge Pins | White plastic (black dots) |
| Bracing | X bracing |
| Neck | |
| Neck | Nato |
| Headstock | 3 a side traditional |
| Neck Shape | C |
| Neck Finish | Gloss Urethane |
| Fretboard | Walnut |
| Neck Binding | 1 ply black |
| Frets | 20 |
| Scale Length | 25.3″ (643 mm) |
| Fretboard Radius | 11.81″ (300 mm) |
| Nut Width | 1.69″ (43 mm) |
| Nut Material | Synthetic Bone |
| Inlays | White plastic dot |
| Tuners | Die-cast (sealed back) |
| Electronics | |
| NA | |
The 200 series
The 200 models feature flame maple tops and decorative inlays, which look beautiful. The 200 also includes lacewood back and sides, laminate flame maple soundboard and Nato neck.
Guitars in this range include the:
- FA-235E Concert
Specs: 200
| Body | |
|---|---|
| Top (Soundboard) | Flame Maple (Laminate) |
| Back and Sides | Mahogany (Laminate) |
| Finish | Gloss |
| Binding | Aged white |
| Rosette | Keystone design |
| Pickguard | 1 ply black |
| Bridge Pins | White plastic (black dots) |
| Bracing | X bracing |
| Neck | |
| Neck | Nato |
| Headstock | 3 a side traditional |
| Neck Shape | C |
| Neck Finish | Gloss Urethane |
| Fretboard | Indian Laurel |
| Neck Binding | Aged white |
| Frets | 20 |
| Scale Length | 25.3″ (643 mm) |
| Nut Width | 1.69″ (43 mm) |
| Nut Material | Graph Tech® TUSQ® |
| Inlays | Perloid (keystone design) |
| Tuners | Open geared |
| Electronics | |
| Fishman® Electronics (volume, bass, treble) | |
The 300
Along with the updated features of the 200 models, the 300 also include tortoise shell binding, which combined with the flame maple top looks fantastic.
Guitars in this range include the:
- FA-345CE Auditorium
Specs: 300
| Body | |
|---|---|
| Top (Soundboard) | Flame Maple (Laminate) |
| Back and Sides | Mahogany (Laminate) |
| Finish | Gloss |
| Binding | Aged white |
| Rosette | Keystone design |
| Pickguard | 1 ply black |
| Bridge Pins | White plastic (black dots) |
| Bracing | X bracing |
| Neck | |
| Neck | Nato |
| Headstock | 3 a side traditional |
| Neck Shape | C |
| Neck Finish | Gloss Urethane |
| Fretboard | Indian Laurel |
| Neck Binding | Aged white |
| Frets | 20 |
| Scale Length | 25.3″ (643 mm) |
| Nut Width | 1.69″ (43 mm) |
| Nut Material | Graph Tech® TUSQ® |
| Inlays | Perloid (keystone design) |
| Tuners | Open geared |
| Electronics | |
| Fishman® Electronics (volume, bass, treble) | |
Are they any good?
Average rating: 4.66 stars
Considering the price of the guitars within this series, the Fender® Alternative series delivers for the most part and are well priced for the beginner market. With prices ranging from $149.99 for the FA-15N 3/4 Nylon, up to $439.99 for the FA-345CE Auditorium.
FA-15N 3/4 Nylon
Avg rating: 5 |
FA-15 3/4 Steel
Avg rating: 4.7 |
FA-125 Dreadnought, Walnut
Avg rating: 4.83 |
FA-125CE Dreadnought, Walnut Fingerboard
Avg rating: 4.6 |
FA-235E Concert
Avg rating: 4.4 |
|
FA-345CE Auditorium
Avg rating: 4.45 |
The Artist Design Series
The artist design series, as the name implies, represents the collaborative design process between Fender® and artists such as Tim Armstrong (Rancid) and Alkaline Trio (Chicago Punk Band).
The guitars themselves are released in limited numbers and as you might imagine, are unique and imaginatively designed featuring limited-edition bold colors and finishes, custom inlays and gold hardware.
The models included in the Artist Design Series include:
- Tim Armstrong Anniversary Hellcat (including 12 string and LH models)
- Alkaline Trio Malibu™
Tim Armstrong Anniversary Hellcat
Tim Armstrong (Founder and Frontman for Rancid), so the word goes, does most of his writing on his 60s concert size Fender® acoustic guitar.
Fender® and Tim Armstrong collaborated and came up with the Tim Armstrong Hellcat, a distinctively cool retro looking acoustic guitar that features a couple of nice signature touches including custom ‘hellcat’ style inlays and gold hardware, but otherwise gives every indication of being more a work-horse than a show pony.
The Tim Armstrong Hellcat Series includes three guitars, a standard 6 string, 12 string and left-handed model (Tim Armstrong is left-handed after all).
Specs: Tim Armstrong Anniversary Hellcat
| Body | |
|---|---|
| Top (Soundboard) | Solid Spruce |
| Back and Sides | Mahogany (Laminate) |
| Finish | Gloss |
| Binding | Aged white |
| Rosette | F style |
| Pickguard | 3 ply gold |
| Bridge Pins | White |
| Neck | |
| Neck | Maple |
| Headstock | 3 a side traditional |
| Neck Shape | C |
| Neck Finish | Gloss |
| Fretboard | Walnut |
| Neck Binding | Aged white |
| Frets | 19 |
| Scale Length | 25.3″ (643 mm) |
| Fretboard Radius | 11.81″ (300 mm) |
| Nut Width | 1.69″ (43 mm) |
| Nut Material | Graph Tech® TUSQ® |
| Inlays | Skulls, and Hellcat design |
| Tuners | White plastic (vintage style) |
| Electronics | |
| Fishman® Isys™ III pickup system (volume, EQ, tuner) | |
Alkaline Trio Malibu™
We’ve already met the Malibu in the California series. The Alkaline Trio Malibu is an all Mahogany signature version of the same guitar, that thanks to the distinctive heart shaped soundhole and rosette, is a guitar that’s difficult to miss.
Table could not be displayed.Specs: Alkaline Trio Malibu™
| Body | |
|---|---|
| Top (Soundboard) | Mahogany (Laminate) |
| Back and Sides | Mahogany (Laminate) |
| Finish | Gloss (poly) |
| Rosette | Signature Alkaline Trio silver heart |
| Pickguard | NA |
| Bridge Pins | White (black dots) |
| Neck | |
| Neck | Maple |
| Headstock | Stratocaster® style 6 in line |
| Neck Shape | Vintage C |
| Neck Finish | Gloss Urethane |
| Fretboard | Walnut |
| Neck Binding | white |
| Frets | 20 |
| Scale Length | 24.75″ (629 mm) |
| Fretboard Radius | 7.25″ (300 mm) |
| Nut Width | 1.625″ (41.3 mm) |
| Nut Material | Graph Tech® TUSQ® |
| Inlays | Perloid |
| Tuners | White plastic (vintage style) |
| Electronics | |
| NA | |
Are they any good?
Average rating: 4.773 stars
The Tim Armstrong Hellcat (along with the Gretsch Jim Dandy) has long been one of those inexpensive acoustic guitars that, perhaps lacked some of the refinement and finishing touches of its more expensive counterparts but punched well above its weight, making it good value for its sub $500 price. The Alkaline Trio, will appeal to some, and not to others but overall has been well received and seems good value at under $300.
Tim Armstrong Hellcat
Avg rating: 4.76 |
Tim Armstrong Anniversary Hellcat
Avg rating: 5 |
Alkaline Trio Malibu™
Avg rating: 4.56 |
The American Acoustasonic series
Lastly, we come to the American Acoustasonic Series, which, is perhaps the most radical departure from traditional acoustic guitar design seen yet.
This is the first production acoustic guitar Fender® has built in the USA for almost 50 years and is priced accordingly, starting at more or less the $2000 mark.
Another newcomer to the Fender® lineup, Fender® first showed the world the Acoustasonic Telecaster® in 2019 at Winter NAMM. And, while it’s raised more than a few eyebrows since then, most reviews, it has to be said, have been favorable, but the fact that you tend not to see a lot of them may be a sign of their popularity, or lack thereof.
The guitar’s themselves have several interesting features including a noiseless mounted bridge pickup and bolt on 22 fret neck with tapered heel and ebony fretboard.
But the real heart of the Acoustasonic series is the Stringed Instrument Resonance System (SIRS), which Fender® have developed exclusively for the Acoustasonic.
The Stringed Instrument Resonance System or SIRS, regulates the air flow into the internal chamber of the guitar which is said to aid resonance and give the guitar greater resonance and dynamics.
The American Acoustasonic Series includes both Telecaster® and Stratocaster® options including the following models:
- American Acoustasonic® Stratocaster® Ziricote
- American Acoustasonic® Stratocaster®
- American Acoustasonic® Telecaster® (including left-handed option)
- American Acoustasonic® Stratocaster® Cocobolo
American Acoustasonic® Stratocaster®
Released in March 2020, as a follow-up to the Acoustisonic® Telecaster®. The Acoustasonic Stratocaster®, possibly benefiting from its support act has for the most part been well-received and positively reviewed. Though, more or less relying on the same feature set and tech that paved the way for the Tele version.
Specs: American Acoustasonic® Stratocaster®
| Body | |
|---|---|
| Top (Soundboard) | Mahogany *Black Limba on Ziricote model. *White Limba on Cocobolo model. |
| Back and Sides | Solid Sitka Spruce *Ziricote on Ziricote model. *Cocobolo on Cocobolo model. |
| Finish | Satin (matte) |
| Rosette | 2 ring (black/white) |
| Pickguard | NA |
| Bridge Pins | GraphTech Tusq® |
| Bracing | Transverse (Usually refers to a single brace that is closer to the neck joint and adds greater stability primarily to this area). |
| Neck | |
| Neck | Mahogany *Black Limba on Ziricote model. *White Limba on Cocobolo model. |
| Headstock | Stratocaster® style 6 in line |
| Neck Shape | Modern C |
| Neck Finish | Satin Urethane |
| Fretboard | Ebony |
| Neck Binding | NA |
| Frets | 22 |
| Scale Length | 25.5″ (648 mm) |
| Fretboard Radius | 12″ (305 mm) |
| Nut Width | 1.6875″ (42.86 mm) |
| Nut Material | Graph Tech® TUSQ® |
| Inlays | Plastic (white) * none on both Ziricote and Cocobolo models. |
| Tuners | Fender® Standard Cast |
| Electronics | |
| Piezo under-saddle bridge pickup. N4 magnetic bridge pickup and internal body sensor pickup. 5 way selector switch. | |
American Acoustasonic® Telecaster®
The original Acoustisonic, initially released in March 2019. The first American made Fender® acoustic guitar in 50 years, while a very different guitar to the original 1963 models, the Acoustisonics share much of the same sentiment, caring little for tradition, preferring to break new ground.
Specs: American Acoustasonic® Telecaster®
| Body | |
|---|---|
| Top (Soundboard) | Mahogany |
| Back and Sides | Solid Sitka Spruce |
| Finish | Satin (matte) |
| Rosette | 2 ring (black/white) |
| Pickguard | NA |
| Bridge Pins | GraphTech Tusq® |
| Bracing | Transverse |
| Neck | |
| Neck | Mahogany |
| Headstock | Stratocaster® style 6 in line |
| Neck Shape | Modern C |
| Neck Finish | Satin Urethane |
| Fretboard | Ebony |
| Neck Binding | NA |
| Frets | 22 |
| Scale Length | 25.5″ (648 mm) |
| Fretboard Radius | 12″ (305 mm) |
| Nut Width | 1.6875″ (42.86 mm) |
| Nut Material | Graph Tech® TUSQ® |
| Inlays | Plastic (white) * none on both Ziricote and Cocobolo models. |
| Tuners | Fender® Standard Cast |
| Electronics | |
| Piezo under-saddle bridge pickup. N4 magnetic bridge pickup and internal body sensor pickup. 5 way selector switch. | |
Are they any good?
Average rating: 4.695 stars
The Acoustisonic series has been well-received by critics, including several high-profile reviews, including guitarworld.com and premierguitar.com.
They’re not cheap, starting at just under $2000 but for an American made Fender® that includes a number of innovative features including the Stringed Instrument Resonance System (SIRS) for the most part they represent good value and have been well-received.
American Acoustasonic® Telecaster®
Avg rating: 4.52 |
American Acoustasonic® Stratocaster®
Avg rating: 4.87 |
Final Thoughts
After taking a look at where Fender® began with regard to the acoustic guitar and a preview of where things are headed with the Acoustisonic series® it seems fairly apparent that Fender® will continue to look for new ways to approach acoustic guitar design.
At the same time with a high volume number of guitars dedicated to the beginner marker including the FA and CD series, manufacturing good value, affordable yet highly playable acoustic guitars will also continue to take up a large part of Fenders® acoustic line up.
So, with all things considered are Fender® acoustic guitars any good? For what it’s worth, for a beginner on a budget a Fender® acoustic guitar is a great option, and considering the large range there realistically is something for everyone.
For the more experienced guitarist, or those looking for something a little different, there are several models worth a look including the California series and the Artist design series, but one gets the impression guitarists will mostly love/hate the higher end Fender® acoustic guitars, so definitely try before you buy.
Really informative blog post. Thanks Again. Keep writing. Coreen Lanny Morgenthaler